choreography

physical movements

interaction algoritm

repetition

behaviour of elements

perceiving understanding

interaction

transmogrification

adjusting

transformation of algoritm

generating urban space

performance

reconfiguration

reconfiguration urban space...

sign language

in comunication, symbols and signs are on logical structures.

they sometimes need an intuitive approach in order to get a sense and therefore to make them susceptible of a creative interpretation (coming up from the combination of intuition, inspiration and solution of problems).

this activity has neither any inner logic, nor any visible pattern.

modern town is represented to our eyes as a text to interpret, made of uncontable signs and symbols structured according to their comunicative function.

on their correct reading depends the fitting of the individual to his environment and thus his happiness.


en la comunicación, los símbolos y señales aparecen en estructuras lógicas.

a veces requieren un planteamiento intuitivo que extraiga su sentido y que, por consiguiente, los haga susceptibles de interpretación creativa (que surge de la combinacion de intuición, inspiración y resolución de problemas).

esta actividad no posee ninguna lógica, ningún patrón previsible.

la ciudad moderna se plantea ante nuestros ojos como un texto a interpretar, compuesto de incontables signos y símbolos que se estructuran según su función comunicativa.

de su correcta lectura depende la adecuación del individuo a su entorno y, en consecuencia, su felicidad.

istanbul, since 1450

my invisible city

.

.

.

illusion

for the present age, which prefers the sign to the thing signified, the copy to the original, representation to reality, appearance to essence . . .

truth is considered profane, and only illusion is sacred.

sacredness is in fact held to be enhanced in proportion as truth decreases and illusion increases,

so that the highest degree of illusion comes to be the highest degree of sacredness.


in societies dominated by modern conditions of production,life is presented as an immense accumulation of spectacles.

everything that was directly lived has receded into a representation

just texts

catwalk street

walk

the

catwalk!

action!

nema vise sunca,

nema vise meseca.

nema tebe, nema mene.

niceg vise, nema joj.

pokriva nas ratna tama,

pokriva nas tama joj.

a ja se pitam moja draga,

sta ce biti sa nama?

mesecina, odneli je..joj joj, joj joj.

sunce sija ponoc bije, joj joj, joj joj.

sa nebesa zrak probija,

niko ne zna, niko ne zna

niko ne zna, niko ne zna,

niko ne zna sta to sija ...


there is not sun any more,
there is not moon any more,
you're not, i'm not.
there isn't anything else, ouch!
the darkness of the war hid us
the darkness hid us, ouch!
And I wonder, my love,
what's gonna happen with us?
Moon light, moon light, ouch ouch ouch
sun is shinning, sun is shinning, ouch, ouch, ouch,
fresh air cames from the sky,
nobody knows, nobody knows,
nobody knows, nobody knows,
nobody knows what's shinning...

emir kusturica,
O.S.T. 'Underground'